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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

 

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Edouard Manet Stilleben with melon and peaches oil painting

Painting ID::  53893

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Edouard Manet
Stilleben with melon and peaches
mk234 about 1866 69x92cm
   
   
     

 

 

Edouard Manet Gare Saint-Lazare oil painting

Painting ID::  53894

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Edouard Manet
Gare Saint-Lazare
mk234 1873 94X115CM
   
   
     

 

 

Edouard Manet The bar on the Folies-Bergere oil painting

Painting ID::  53895

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Edouard Manet
The bar on the Folies-Bergere
mk234 1882 97x130cm
   
   
     

 

 

Edouard Manet Madame Manet on a Divan oil painting

Painting ID::  53962

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Edouard Manet
Madame Manet on a Divan
mk235 1874 Oil on canvas 65x61cm
   
   
     

 

 

Edouard Manet Agenteuil oil painting

Painting ID::  53966

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Edouard Manet
Agenteuil
mk235 1874 Oil on canvas 148.9x115cm
   
   
     

 

 

Edouard Manet Nana oil painting

Painting ID::  53993

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Edouard Manet
Nana
mk235 1877 Oil on canvas 154x115cm
   
   
     

 

 

Edouard Manet Plum Brandy oil painting

Painting ID::  53998

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Edouard Manet
Plum Brandy
mk235 c.1877/78 Oil on canvas 73.6x50.2cm
   
   
     

 

 

Edouard Manet Bock drinkers oil painting

Painting ID::  54015

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Edouard Manet
Bock drinkers
mk235 1878 47.5x30.2cm Oil on canvas
   
   
     

 

 

Edouard Manet The Waitress oil painting

Painting ID::  54016

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Edouard Manet
The Waitress
mk235 1878 77.5x65cm Oil on canvas
   
   
     

 

 

Edouard Manet At the Cafe oil painting

Painting ID::  54017

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Edouard Manet
At the Cafe
mk235 1878 Oil on canvas 78x84cm
   
   
     

 

 

Edouard Manet The Waitress oil painting

Painting ID::  54018

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Edouard Manet
The Waitress
mk235 1879 97.1x77.5cm Oil on canvas
   
   
     

 

 

Edouard Manet In the Garden Restaurant of Pere Lathuille oil painting

Painting ID::  54039

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Edouard Manet
In the Garden Restaurant of Pere Lathuille
mk235 1879 Oil on canvas 92x112cm
   
   
     

 

 

Edouard Manet In the Conservatory oil painting

Painting ID::  54040

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Edouard Manet
In the Conservatory
mk235 1879 Oil oncanvas 115x150cm
   
   
     

 

 

Edouard Manet Bondle of Asaparagus oil painting

Painting ID::  54043

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Edouard Manet
Bondle of Asaparagus
mk235 1880 Oil on canvas 46x55cm
   
   
     

 

 

Edouard Manet House at Rueil oil painting

Painting ID::  54047

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Edouard Manet
House at Rueil
mk235 1880 Oil on canvas 92x70cm mk235 1882 Oil on canvas 92x73cm
   
   
     

 

 

Edouard Manet Manet-s Mother in the Garden at Bellevue oil painting

Painting ID::  54062

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Edouard Manet
Manet-s Mother in the Garden at Bellevue
mk235 1880 Oil on canvas 82x65cm
   
   
     

 

 

Edouard Manet Portrait of Irma Brunner in a Black Hat oil painting

Painting ID::  54063

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Edouard Manet
Portrait of Irma Brunner in a Black Hat
mk235 1880 Oil on canvas 54x46cm
   
   
     

 

 

Edouard Manet A Ba4 at the Folies-Bergere oil painting

Painting ID::  54070

X 
 

Edouard Manet
A Ba4 at the Folies-Bergere
mk235 c.1881/82 Oil n canvas 96x130cm
   
   
     

 

 

Edouard Manet Le dejeuner sur I-Herbe oil painting

Painting ID::  54535

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Edouard Manet
Le dejeuner sur I-Herbe
mk235 1863 Oil on canvas
   
   
     

 

 

Edouard Manet At Longchamp Racecourse oil painting

Painting ID::  54538

X 
 

Edouard Manet
At Longchamp Racecourse
mk235 1864 Oil on canvas
   
   
     

 

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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.