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Oil Paintings
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An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Edouard Manet French Realist/Impressionist Painter, 1832-1883
The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint.
He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years.
Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene.
Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas.
Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student.
He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio.
Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife.
Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them. |
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Edouard Manet Stilleben with melon and peaches mk234
about 1866
69x92cm
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Edouard Manet Gare Saint-Lazare mk234
1873
94X115CM
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Edouard Manet The bar on the Folies-Bergere mk234
1882
97x130cm
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Edouard Manet Madame Manet on a Divan mk235
1874
Oil on canvas
65x61cm
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Edouard Manet Agenteuil mk235
1874
Oil on canvas
148.9x115cm
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Edouard Manet Nana mk235
1877
Oil on canvas
154x115cm
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Edouard Manet Plum Brandy mk235
c.1877/78
Oil on canvas
73.6x50.2cm
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Edouard Manet Bock drinkers mk235
1878
47.5x30.2cm
Oil on canvas
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Edouard Manet The Waitress mk235
1878
77.5x65cm
Oil on canvas
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Edouard Manet At the Cafe mk235
1878
Oil on canvas
78x84cm
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Edouard Manet The Waitress mk235
1879
97.1x77.5cm
Oil on canvas
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Edouard Manet In the Garden Restaurant of Pere Lathuille mk235
1879
Oil on canvas
92x112cm
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Edouard Manet In the Conservatory mk235
1879
Oil oncanvas
115x150cm
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Edouard Manet Bondle of Asaparagus mk235
1880
Oil on canvas
46x55cm
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Edouard Manet House at Rueil mk235
1880
Oil on canvas
92x70cm
mk235
1882
Oil on canvas
92x73cm
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Edouard Manet Manet-s Mother in the Garden at Bellevue mk235
1880
Oil on canvas
82x65cm
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Edouard Manet Portrait of Irma Brunner in a Black Hat mk235
1880
Oil on canvas
54x46cm
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Edouard Manet A Ba4 at the Folies-Bergere mk235
c.1881/82
Oil n canvas
96x130cm
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Edouard Manet Le dejeuner sur I-Herbe mk235
1863
Oil on canvas
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Edouard Manet At Longchamp Racecourse mk235
1864
Oil on canvas
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Edouard Manet
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French Realist/Impressionist Painter, 1832-1883
The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint.
He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years.
Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene.
Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas.
Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student.
He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio.
Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife.
Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.
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